The moving new novel from the bestselling author of The Night Guest. 'Gorgeous storytelling and superb characters are among the glories of The Sun Walks Down. Fiona McFarlane is an extraordinary writer, one of the best working today. Her magnificent reworking of the lost child story showcases the profound understanding she brings to people, places and the past. I lived in this wise, majestic novel for days and never wanted it to end.' Michelle de Kretser, twice winner of the Miles Franklin Award for Questions of Travel and The Life to ComeIn September 1883, the South Australian town of Fairly huddles under strange, vivid sunsets and enormous dust storms. One of its own has gone missing - six-year-old Denny Wallace - and the whole town is intent on finding him. As they search the desert and mountains for the lost child, the residents of Fairly - newlyweds, landowners, farmers, mothers, artists, Indigenous trackers, cameleers,...

What a terrible thing at a time like this: to own a house, and the trees around it. Janet sat rigid in her seat. The plane lifted from the city and her house fell away, consumed by the other houses. Janet worried about her own particular garden and her emptied refrigerator and her lamps that had been timed to come on at six.So begins "Mycenae," a story in The High Places, Fiona McFarlane's first story collection. Her stories skip across continents, eras, and genres to chart the borderlands of emotional life. In "Mycenae," she describes a middle-aged couple's disastrous vacation with old friends. In "Good News for Modern Man," a scientist lives on a small island with only a colossal squid and the ghost of Charles Darwin for company. And in the title story, an Australian farmer turns to Old Testament methods to relieve a fatal drought. Each story explores what Flannery O'Connor called "mystery and manners." The collection dissects the feelings—longing,...

A mesmerizing first novel about trust, dependence, and fear, from a major new writerRuth is widowed, her sons are grown, and she lives in an isolated beach house outside of town. Her routines are few and small. One day a stranger arrives at her door, looking as if she has been blown in from the sea. This woman—Frida—claims to be a care worker sent by the government. Ruth lets her in.     Now that Frida is in her house, is Ruth right to fear the tiger she hears on the prowl at night, far from its jungle habitat? Why do memories of childhood in Fiji press upon her with increasing urgency? How far can she trust this mysterious woman, Frida, who seems to carry with her own troubled past? And how far can Ruth trust herself?     The Night Guest, Fiona McFarlane’s hypnotic first novel, is no simple tale of a crime committed and a mystery solved. This is a tale that soars above its own suspense to tell us, with exceptional grace and beauty, about ageing, love, trust, dependence, and fear; about processes of colonization; and about things (and people) in places they shouldn’t be. Here is a new writer who comes to us fully formed, working wonders with language, renewing our faith in the power of fiction to describe the mysterious workings of our minds.