FLEETA CUNNINGHAM SERIES:

Double Wedding, Single Dad

Double Wedding, Single Dad

Fleeta Cunningham

Fleeta Cunningham

Wedding coordinator Lucinda Parks is in the business of turning fantasy into reality, but when debonair Jeff Sinclair asks her to create a double wedding for his daughters, she may have met her match. Jeff designs houses, not weddings. And with his girls at opposite ends of the country, Jeff must help beautiful Lucinda unify the dreams of his daughters who agree on only two things—the day of the wedding and the color scheme. Lucinda foresees only one saving grace to the situation: the long hours she'll be spending with the single father of the brides.
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Half Past Mourning

Half Past Mourning

Fleeta Cunningham

Fleeta Cunningham

An hour after her wedding, Nina's new husband and his '55 Thunderbird disappear, and the search for him is inconclusive, leaving her married but alone with no answers as to what happened. Waiting for word from him, wondering where he is, she has no real future until she spies his car in a parking lot and starts asking questions. When Professor Peter Shayne uncovers a driver's license concealed in the trunk of the T-Bird he's just purchased, he tracks down Nina for more information. As they follow clues together, Peter finds himself attracted to this woman, but what if they locate her husband? How can he declare his love for her if she's still married? Torn and confused by the unfolding secrets of the boy she loved and married, Nina doubts she can trust her growing feelings for Peter. She must discover her husband's whereabouts, even if the truth hurts.
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Bal Masque

Bal Masque

Fleeta Cunningham

Fleeta Cunningham

A sensible young lady in 1835 Louisiana does as her papa directs, especially in matters of matrimony, but Lucienne Toussaint is headstrong and impetuous. She has given her heart to a dashing ladies' man and cannot abide Papa's staid choice, a tedious man she vows in tumult and tears never to marry. Scheming to escape her Mardi Gras wedding, her plans awry at every turn, she finds it's dangerous to confront Destiny. For Armand Dupre, the one girl who interests him is the spoiled belle who fancies herself in love with someone else. Weary of meek misses, he sees flashes of spirit, independence, and sensibility in her. When she dashes into the darkness on her wedding night, he keeps gossip at bay as he searches for her and leaves behind dull propriety's mask. This new Armand, who arrives in the midst of a hurricane to rescue her from kidnappers and river pirates, is a man she could find most intriguing.
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Diana and the Three Behrs

Diana and the Three Behrs

Fleeta Cunningham

Fleeta Cunningham

Diana Woods, a thoroughly modern woman of the 1920s, is thrilled to begin a secretarial job helping visiting professors research the Wild West days of Fort Worth, Texas. Things heat up when she and two of the profs witness the speakeasy abduction of a prominent citizen and realize they could be next. The group hits the road to escape danger, and the professors send Diana to safety in the hometown of their former student Adler Behr, a grouchy banker who has no use for modern women and whose temperament resembles his bear namesake. As Diana schools Adler in the allure of her twentieth-century skills, danger is never far behind. Adler learns that his future lies in the hands of a woman who can do more than cook and darn socks, and Diana finds even a grumpy Behr has a softer side.
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