Death and So Forth

Death and So Forth

Gordon Lish

Gordon Lish

With Death and So Forth, esteemed writer and editor Gordon Lish returns with a new book of scintillating short fiction. With his trademark precision, wit, and wiliness, Lish writes outside the margins and around the edges of the death, loss, and the fractiousness and fragmentation of language. Death and So Forth collects a number of Lish's acclaimed stories and introduces eight new fictions, including a tribute to Denis Johnson and so many others lost in the course of a long life. Brilliant and sharp-eyed, this is a treasure for fans of Gordon Lish, new and lifelong.
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Goings

Goings

Gordon Lish

Gordon Lish

Goings: In Thirteen Sittings is Gordon Lish's first completely original work in sixteen years, thirteen stories that mark the ongoing vitality of one of the era's enduring scribes.Widely acknowledged as one of the most influential editors of our era, Gordon Lish has quite simply changed the face of American literature. The stunning list of writers with whom he has worked closely includes Harold Brodkey, Sam Lipsyte, Ben Marcus, Anne Carson, Cynthia Ozick, Raymond Carver, Will Eno, Barry Hannah, Amy Hempel and many more.But it is in his own writing that his genius is made manifest. There, his quick wit and black humor are on full display, as well as a merciless intellect that skewers no one so thoroughly as, and more often than, a narrator most often known as "Gordon." In the stories in Goings, Lish wrestles with memory; self-knowledge (the lack and the impossibility thereof); friendship; mothers, sons and lovers. More than that, the language here is a collective paradigm of...
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Peru

Peru

Gordon Lish

Gordon Lish

Arguably Gordon Lish's masterpiece, Peru begins with its narrator announcing, "There is nothing which I will not tell you if I can think of it." Gradually, the story of a dark childhood secret—real or imagined—unfolds: in 1940, six-year-old Gordon murdered his harelipped rival, Steven Adinoff, in a Long Island sandbox . . . (unless he didn't). Peru's narrator weaves together strands of disconnected, mesmerizing trivia, resurrecting memories of the mundane suburban childhood that spawned a killing: the sense of tedium on an endless summer day; the squishy sounds of a hoe digging into flesh. Ambiguous, complex, inventive, and subversively comic, Peru is a compendium of unnerving observations about memory, violence, obsession, and the potential horror behind the facade of an ordinary life.
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